JAYESHBHAI JORDAAR is the story of a remarkable hero. Jayeshbhai (Ranveer Singh) and his wife Mudra (Shalini Pandey), daughter Siddhi (Jia V...
JAYESHBHAI JORDAAR is the story of a remarkable hero. Jayeshbhai (Ranveer Singh) and his wife Mudra (Shalini Pandey), daughter Siddhi (Jia Vaidya), father (Boman Irani), and mother Yashoda live in Pravingarh, Gujarat (Ratna Pathak Shah). Jayeshbhai's father was a sarpanch of Pravingarhu and very orthodox and patriarchal. After Mudra has a daughter, Sarpanch and Yashoda ask for her son and Jayesh. However, when she became pregnant again and learned that she would have a baby girl, she was forced to have an abortion. She eventually underwent 6 abortions. She is pregnant again. When Sarpanch and Yashoda went to the clinic to find out the sex of the baby, the doctor said he did not understand. However, Jayeshbhai secretly said that Mudra would give birth to a baby girl. The doctor explained that Mudra had become very weak due to multiple abortions.
Hence, she won't be able to conceive again. The sarpanch and Yashoda have agreed that if a girl is found in Mudra's womb, Jayeshbhai will divorce Mudra and remarry. Jayeshbhai adores Mudra and feels terrible about killing six unborn babies because of their gender. He's not ready to take another life this time. He comes across a video of a group of men in a Haryana village on the internet. Their old sarpanch Amar (Puneet Issar) and the other men are not married. This is because there are no more women in the village after the villagers have ruthlessly trained women on how to kill a child. Amar says in the video that he is ready to take care of every woman who comes to her village and protects her. Jayeshbhai planned and decided to flee with Mudra, Siddhi, and her unborn daughter from Pravingarhu to the village of Amar in Laadopur. What happens next is the rest of the film.
Divyang Thakkar's story is timely, combining entertainment and a social message. Divyang Thakkar's screenplay (additional screenplay by Ankur Chaudhry) is quite entertaining. He takes up a burning topic but peppers the narrative with some light-hearted, funny, and emotional moments. As This doesn't make it difficult or niche. At the same time, the writing is inconsistent; the impact varies from scene to scene. Divyang Thakkar's dialogues are funny and sharp.
The direction of Divyang Thakkar is the highest. It's hard to believe it's his debut director. The design was smooth and efficient. What is also convincing are the unique nuances incorporated into the film. Scenes like ink mixed with data, Siddhi opening a window while Mudra was driving, a truck driver offering Mudra blankets, etc., or even the way modest soap was used to drive the plot, show that Divyang has a creative mind. . On the other hand, the humor ratio went down in the second half. The term "daddy" is well-meaning, but it seems forced. The conservative public in particular may not be able to fully accept this. Finally, through Gujarat, film collections can be limited to a few key areas.
JAYESHBHAI JORDAAR starts on a fine note. The opening scene is fantastic, and Jayeshbhai's narration beautifully explains the entire setting. The scene in which Jayeshbhai pretends to beat up Mudra is both unexpected and charming. The real fun begins when Jayeshbhai flees with his wife and daughter, pretending to be forced to do so against his will. The scene at the Dhaba is nail-biting. The break deserves applause. After all, family work was good but repetitive. The film will be released when the public finds Jayeshbhai's plan. The final will be fun.
Speaking of performances, Ranveer Singh is in high form. The actor has performed many unforgettable performances in the past and this time he has done something new on the table. Her behavior, body language, and accent improve her posture. Viewers will surely fall in love with this brave, sensitive, and intelligent heroic character. Shalini Pandey made a great debut in Bollywood. He downplayed his role as needed, although in some scenes he was dominated by other actors. Jia Vaidya, like the song in the movie, is "fireworks." She was beautiful and encouraged fun and madness. Boman Irani is flawless. Ratna Pathak Shah didn't stand out much in the first half but shone until the end. Puneet Issar is beautiful and the performance is good. Deeksha Joshi (Preeti; Sister Jayeshbhai) is doing well. Jayesh Barbhaya (Bhika) did well, although his track could have been better. Soumita Samanta (Bengali woman) and Swati Das (doctor) are decent.
Vishal-Shekhar's music is very poor and is one of the main shortcomings of the film. 'Firecracker' is the only way forward. 'Dheere Dheere Seekh Jaaunga' and 'Dil Ki Gali' are not special. 'Jordaar' worked on the film, but had no durability. The background music of Sanchita Balhara and Ankita Balhara is distinctive and in line with the plot of the film.
Siddharth Diwan's cinematography is appropriate. Mayura Sharma's production design is realistic. Manoshi Nath and Rushi Sharma's costumes are no longer alive. Oh, Sea Young, Sunil Rodrigues, and Riyaz-Habiba's actions are sophisticated. Editing Namrata Rao is good.
In general, JAYESHBHAI JORDAAR talks about 'Jordanian' moments, performances, and good news. However, she suffered from inconsistent writing. Screenwriter and director Divyang Thakkar was able to convey the social message in a light-hearted way, which is why the film deserves tax exemption. The box office can start slowly and should depend on a positive oral presentation from the target audience.
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